For anyone who has spent a long time renting, confronted by the same landlord-approved beige walls and yearning for injecting personal style to their home, Pantone's new Colour of the Year might feel like a disappointing choice.
This time around, the renowned color company has designated a shade of white as its premier hue.
In detail, the shade is called Cloud Dancer – a white characterized as "lofty" and "billowy" which "serves as a emblem of tranquility in a society rediscovering the value of quiet reflection".
It signifies the first time white has been picked as the Colour of the Year, and it has generated significant controversy.
Per Pantone, Cloud Dancer "transcends mere pigment, it's a state of being" and signifies a collective yearning to decelerate, reset and seek peace after years of visual overload.
But some commentators have branded the decision as "insensitive", contending that promoting sparse and immaculate white spaces can feel disconnected from the more compact, lived-in homes most people inhabit.
Additional critics argue that presenting white as an ideal introduces subtext related to race, creating unease within ongoing political and cultural conversations about inclusion and diversity.
Interior expert Chris Beaumont says the criticism goes beyond aesthetics, noting that white holds cultural undertones and is rarely a neutral choice.
"The color white sends a message," he says, influenced by a decade of sparse star homes – most notably Kim Kardashian's austere home – that came to represent "wealth, control and distance from chaos".
He elaborates that white is "not about inspiration but taking care not to offend", with Cloud Dancer embodying "austerity, virtuous simplicity and the idea that impartiality denotes goodness".
The designer references the global health crisis as a pivotal moment in how people relate to their homes.
"Suddenly they transformed into our workspaces, refuges and sources of stability," he says, adding that against this backdrop, pushing the Colour of the Year towards "more visual emptiness seems rather disconnected".
Instead of providing calm, he argues white now risks amplifying "a sense of desolation", particularly when combined with harsh, sterile lighting.
An interior designer, a UK-based design expert, concurs and says Cloud Dancer "is not perceived as a colour" and is "firmly in the bin for me".
Although it may suit highly minimal or structural spaces, she says bright whites seldom foster calm in everyday living spaces.
"An image of tranquility in a styled shoot can readily feel clinical at home," she explains.
"The color white may seem harsh and unforgiving and you wouldn't wish your home to give clinical feelings."
She continues that "homes should elicit happiness and be warm and lived-in, and this hue seems quite distant from that."
Beaumont hopes that homeowners will disregard the Pantone Colour of the Year in preference for "full-scale joyful interior design", using vibrant hues to express personality.
A representative of the Pantone Colour Institute stated that people "bring different feelings" to the meaning of the colour, but it was chosen as it "integrates perfectly with everything around it, providing a sophisticated impartiality that feels deliberate and versatile".
Since its launch in 2000, Pantone's Colour of the Year has evolved into a significant trend indicator.
Previous selections have featured the hopefulness of Living Coral, the serene assurance of a deep blue, the vibrancy of Viva Magenta, and most recently more gentle, feeling-based tones like Peach Fuzz.
These colours don't just live on trend forecasts - they appear in clothing lines, cosmetic products, home decor, packaging and even technology, influencing how products are sold and how consumers envision the coming year.
A style and trend expert, says Cloud Dancer is a "beautiful choice" and while it may seem basic, "this particular shade feels gentle and refined rather than severe".
In contrast to those who say the colour is boring, Robinson sees it as "adaptable" and says it's best used in "sleeping quarters and living areas where you want a serene, calming atmosphere".
"Even if you don't want to redecorate, you can introduce the colour into a room with pillows, blankets and curtains."
Design expert James Mellan-Matulewicz says although he was surprised that Pantone's pick this year was "essentially the lack of pigment", it is a bit like vanilla ice cream, in that "it is universally accepted but it's not a top choice".
He can see its benefits, explaining that white can work especially effectively as a background for design features like panelling and arched doorways which is a "growing trend in contemporary houses".
In fashion, white has long been a staple rather than a bold declaration and as a Colour of the Year it poses a unique test to designers more familiar with vibrant colors.
Fashion consultant A styling expert says elevating white seems "less about novelty and more concerned with purpose", indicating a shift towards refinement after years of fad saturation.
"White forces designers and wearers alike to concentrate on shape, proportion and quality, there's really nowhere to hide," she explains.
But she continues that it also carries presumptions around body confidence, lifestyle and advantage, stating: "When white is treated as something only a limited subset of people can pull off, it becomes exclusionary."
She says the fashion world is already aware of the uncomfortable undertones associated with lauding white as an ideal, especially during continuing discussions about inclusion and accessibility, and the real test will be whether "companies address that complexity honestly, or simply aestheticise the colour".
Stylist Katie Malik admits the choice at first surprised her, considering Pantone's track record of vibrant hues, but says it reflects a genuine shift and fits within a broader sentiment of "quiet luxury
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Donna Vaughn
Donna Vaughn
Donna Vaughn
Donna Vaughn